{"id":1872,"date":"2018-06-15T10:58:59","date_gmt":"2018-06-15T07:58:59","guid":{"rendered":"http:\/\/selimgunes.com\/?p=1872"},"modified":"2023-05-23T12:09:26","modified_gmt":"2023-05-23T09:09:26","slug":"melankolik-bir-ask-oykusu-alin-tasciyan","status":"publish","type":"post","link":"https:\/\/selimgunes.com\/melankolik-bir-ask-oykusu-alin-tasciyan\/","title":{"rendered":"Melankolik bir a\u015fk \u00f6yk\u00fcs\u00fc \/ Alin Ta\u015f\u00e7\u0131yan"},"content":{"rendered":"

ahvalnews6.com, 2018.06.15<\/strong><\/p>\n

Selim G\u00fcne\u015f\u2019in ikinci uzun metrajl\u0131 filmi D\u00fc\u015f K\u0131rg\u0131nlar\u0131, 80\u2019li y\u0131llar\u0131n duygusunu ta\u015f\u0131yan, romantik bir Mehmet Ero\u011flu uyarlamas\u0131. \u2018Yenik\u2019 oldu\u011funu d\u00fc\u015f\u00fcn\u00fcp bir t\u00fcr inzivaya \u00e7ekilmi\u015f, intihar etmemi\u015f olsa da hayattan b\u00fct\u00fcn beklentilerinden vazge\u00e7mi\u015f bir adamla onun tam tersi, Asya\u2019y\u0131, Afrika\u2019y\u0131 g\u00f6rmek isteyen, hayat dolu bir kad\u0131n\u0131n a\u015fk\u0131n\u0131 ve y\u00fcr\u00fcmeyen ili\u015fkilerini anlat\u0131yor.<\/p>\n

Foto\u011fraf sanat\u00e7\u0131s\u0131 olarak tan\u0131nan, ki\u015fisel sergiler a\u00e7an ve karma sergilere kat\u0131lan, \u0130stanbul\u2019u konu alan Lodoslar Kenti alb\u00fcm\u00fcn\u00fc yay\u0131nlayan Selim G\u00fcne\u015f, 2010 y\u0131l\u0131nda hareketli imgeler \u00e7ekmek \u00fczere kamera arkas\u0131na ge\u00e7ti.<\/p>\n

Sabahattin Ali\u2019nin 1938 tarihli \u00f6yk\u00fcs\u00fc Ayran\u2019\u0131 Kar Beyaz ad\u0131yla sinemaya uyarlad\u0131. Sabahattin Ali okuman\u0131n bug\u00fcnk\u00fc gibi \u2018moda\u2019 olmad\u0131\u011f\u0131 bir d\u00f6nemde yapt\u0131\u011f\u0131 serbest uyarlamayla, ailesini karda k\u0131\u015fta ayran satarak ge\u00e7indirmeye \u00e7al\u0131\u015fan yoksul bir \u00e7ocu\u011fun trajedisini g\u00f6rsel bir \u015fiire d\u00f6n\u00fc\u015ft\u00fcrd\u00fc. 2011 Sofya Film Festivali\u2019nde J\u00fcri \u00d6zel \u00d6d\u00fcl\u00fc kazand\u0131.<\/p>\n

Y\u00f6netmen, do\u011fum yeri Karadeniz\u2019in karl\u0131 da\u011flar\u0131nda \u00e7ekti\u011fi Kar Beyaz\u2019dan sonra Ege k\u0131y\u0131lar\u0131na iniyor. Fo\u00e7a\u2019da ge\u00e7en D\u00fc\u015f K\u0131rg\u0131nlar\u0131 da bir edebiyat uyarlamas\u0131: Mehmet Ero\u011flu\u2019nun 2005 tarihli D\u00fc\u015f K\u0131rg\u0131nlar\u0131. Siyasi i\u00e7erikli romanlar\u0131yla \u201980\u2019li y\u0131llara damgas\u0131n\u0131 vuran Ero\u011flu\u2019nun en yeni kitab\u0131 K\u0131y\u0131dan Uzakta da bu y\u0131l yay\u0131nland\u0131.<\/p>\n

D\u00fc\u015f K\u0131rg\u0131nlar\u0131, siyaseten aktif oldu\u011fu gen\u00e7li\u011finde ya\u015fad\u0131klar\u0131n\u0131n etkisinden kurtulamayan, huzuru i\u00e7ki \u015fi\u015fesinin dibinde arayan, hayat\u0131n sunabilece\u011fi yeni f\u0131rsatlara ve de\u011fi\u015fime kapal\u0131 bir erkek karakterin kad\u0131nlarla imtihan\u0131n\u0131 anlat\u0131yor.<\/p>\n

Kuzey\u2019in (Mert Tan\u0131k) yar\u0131 ya\u015f\u0131nda, ikisi de meslek sahibi ve \u00e7ekici kad\u0131nla, be\u015f y\u0131l arayla ya\u015fad\u0131klar\u0131n\u0131 paralel kurguda izliyoruz. Kuzey, ayn\u0131 zamanda filmin anlat\u0131c\u0131s\u0131. Filme ad\u0131n\u0131 veren D\u00fc\u015f K\u0131rg\u0131nlar\u0131 onun yazmak istedi\u011fi, otobiyografik nitelikli kitab\u0131n ad\u0131\u2026<\/p>\n

Kuzey, \u00fcniversite s\u0131ralar\u0131nda tan\u0131\u015ft\u0131\u011f\u0131, vurulup y\u00fcr\u00fcme engelli kalmas\u0131na neden oldu\u011fu arkada\u015f\u0131 Sami (Bu\u011fra Ko\u00e7tepe) ile birlikte iflas\u0131n e\u015fli\u011findeki Karayel Oteli\u2019ni i\u015fletiyor, Fo\u00e7a\u2019da. Be\u015f y\u0131l \u00f6nce kendisine \u201cdeli gibi\u201d a\u015f\u0131k olan \u015eafak\u2019\u0131n (Denise Ankel) kaybolmas\u0131n\u0131n (otomobiliyle denize u\u00e7tu\u011fu tahmin ediliyor ama bulunam\u0131yor) verdi\u011fi vicdan azab\u0131yla bo\u011fu\u015furken bir yandan da oteli kurtarmaya \u00e7al\u0131\u015f\u0131yor.<\/p>\n

Erkek karde\u015finden -dile getirmese bile kapitalist oldu\u011fu i\u00e7in- maddi yard\u0131m almay\u0131 reddediyor ama onun g\u00f6nderdi\u011fi, t\u0131pk\u0131 \u015eafak gibi k\u0131z\u0131l sa\u00e7l\u0131 ve i\u015fveli yat\u0131r\u0131m dan\u0131\u015fman\u0131 \u00c7i\u011fdem\u2019in (Bahar Yan\u0131lmaz) ilgisini de geri \u00e7eviremiyor\u2026<\/p>\n

\u0130zleyiciyi de\u011filse bile ele\u015ftirmeni ikilemde b\u0131rakan bir yan\u0131 var, bu karakter odakl\u0131 filmin. \u201978 ku\u015fa\u011f\u0131n\u0131 mitle\u015ftirme e\u011filimi g\u00f6steriyor. Kahraman\u0131 Kuzey\u2019in a\u011fz\u0131ndan yazar\u0131n yapt\u0131\u011f\u0131 \u201cEvet, devrim yapamad\u0131k. \u0130yi a\u015f\u0131klar olamad\u0131k. Bizim ku\u015fak ben diyemeyen varsa yoksa biz diyen bir ku\u015fak\u2026 \u0130nsanl\u0131\u011fa hep inand\u0131k. Yery\u00fcz\u00fcne de\u011fil g\u00f6ky\u00fcz\u00fcne ait bir ku\u015fak,\u201d tarifine inanmay\u0131, \u00f6yk\u00fcy\u00fc ve karakterleri sevmeyi gerektiriyor.<\/p>\n

Genel olarak iyi \u00e7ekilmi\u015f, iyi kurgulanm\u0131\u015f\u2026 M\u00fczi\u011fin fazlas\u0131yla bask\u0131n olmas\u0131 d\u0131\u015f\u0131nda itiraz edilecek bir yan\u0131 yok. Oyuncu y\u00f6netiminde filmin ad\u0131na uygun ka\u00e7acak \u015fekilde do\u011fall\u0131ktan uzak, \u201cr\u00fcyada gibi\u201d diye tan\u0131mlayabilece\u011fimiz, tamamen kurmaca olduklar\u0131n\u0131n alt\u0131n\u0131 \u00e7izen bir tarz tercih edilmi\u015f. Bu tarz\u0131 da sevip sevmemek yine karakterlerle kurulan ili\u015fkiye ba\u011fl\u0131\u2026<\/p>\n

D\u00fc\u015f K\u0131rg\u0131nlar\u0131\u2019n\u0131n \u00e7izdi\u011fi sol ideolojik \u00e7er\u00e7eveyi benimseyip, romantize etti\u011fi devrimci erkek tipini anlay\u0131p, sinema ve edebiyat al\u0131nt\u0131lar\u0131yla desteklenen a\u015fk tan\u0131m\u0131n\u0131 kabullenirseniz, izlemesi keyifli gelebilir\u2026<\/p>\n

\u00c7\u00fcnk\u00fc film ilk sahnelerinden itibaren izleyicisini Kuzey\u2019in melankolisiyle sarmalamay\u0131 hedefliyor. \u0130lk g\u00f6rd\u00fc\u011f\u00fcm\u00fcz imgenin onun g\u00f6rd\u00fc\u011f\u00fc d\u00fc\u015f, daha do\u011frusu kabus oldu\u011funu anl\u0131yoruz. Su alt\u0131nda, turuncu bir kuma\u015f par\u00e7as\u0131 s\u00fcz\u00fcl\u00fcyor. Daha sonra tekrarlanacak olan bir imge bu, ama ilk planda, ekranda Lorca\u2019n\u0131n dizeleri beliriyor.<\/p>\n

Peki. Ho\u015f\u00e7akal.
\nA\u015fk\u0131 ar\u0131yorsun sen.
\nBense \u00f6l\u00fcm\u00fc.<\/p>\n

Filmin finalinde anlam\u0131 belirginle\u015fecek olan kahveye konan s\u00fct metaforunun ard\u0131ndan, televizyon ekran\u0131na b\u00fcy\u00fclenmi\u015f gibi bakan bir adam g\u00f6r\u00fcyoruz. Ekranda Tarkovsky\u2019nin Stanislav Lem\u2019den uyarlad\u0131\u011f\u0131 Solaris\u2019ten bir sahne var, Kris Kelvin \u201cHay\u0131r, zararl\u0131 de\u011fil. Tabii ki zararl\u0131 de\u011fil. Tolstoy\u2019u hat\u0131rl\u0131yor musun? Tolstoy\u2019un ac\u0131s\u0131 t\u00fcm insanlar\u0131 sevememenin ac\u0131s\u0131 m\u0131yd\u0131? Ne kadar zaman ge\u00e7ti \u00fczerinden? Hat\u0131rlayam\u0131yorum, yard\u0131m et. Diyelim ki seni seviyorum. A\u015fk hissedebildi\u011fimiz bir \u015fey. Ama asla a\u00e7\u0131klanamaz. Sadece a\u015fk d\u00fc\u015f\u00fcncesi a\u00e7\u0131klanabilir,\u201d diyor. Bu katmerli referanslarla D\u00fc\u015f K\u0131rg\u0131nlar\u0131, al\u00e7akg\u00f6n\u00fcll\u00fc bir yap\u0131m i\u00e7in olduk\u00e7a iddial\u0131 bir d\u00fczeye ula\u015f\u0131yor.<\/p>\n

Selim G\u00fcne\u015f, foto\u011fraf ge\u00e7mi\u015fine ra\u011fmen g\u00fcc\u00fcn\u00fc g\u00f6r\u00fcnt\u00fclerinden de\u011fil metninden almaya \u00e7al\u0131\u015f\u0131yor. Fo\u00e7a ve \u00e7evresinin do\u011fal g\u00fczelli\u011fini fon olarak kullan\u0131yor ama b\u00fct\u00fcn meselesini s\u00f6zlerle ifade ediyor.
\nKuzey ile \u015eafak aras\u0131nda
\n\u201c- Mutluluktan daha b\u00fcy\u00fck bir \u015fey ar\u0131yorum.\u201d
\n\u201c- Mutluluktan daha b\u00fcy\u00fck iki \u015fey biliyorum: A\u015fk ve ac\u0131.\u201d
\n\u201c- A\u015fk da ac\u0131dan \u00e7\u0131kmaz m\u0131?\u201d misali diyaloglar ge\u00e7iyor.
\nYa da \u201cCennet denizdedir.\u201d ya da \u201cBenim i\u00e7in ne yapars\u0131n, benim i\u00e7in \u00f6l\u00fcr m\u00fcs\u00fcn?\u201d misali s\u00f6zlerle etkili olmaya \u00e7al\u0131\u015f\u0131yor. Bu \u2018kahraman\u2019a, ge\u00e7mi\u015fine, a\u015fk\u0131na ne inanabilen ne sempati duyabilen biri i\u00e7in metin \u00f6zele\u015ftirisini de i\u00e7eriyor.<\/p>\n

Kom\u015fusu Handan (Lila G\u00fcrmen) ile Kuzey aras\u0131nda \u015fu diyalog ge\u00e7iyor:
\n\u201c- Duygusal herifin tekisin, hem de dayan\u0131lmayacak kadar!\u201d
\n\u201c- Asl\u0131nda boktan adam\u0131n tekiyim.\u201d<\/p>\n

*** https:\/\/ahvalnews6.com\/tr\/sinema\/melankolik-bir-ask-oykusu<\/p>\n","protected":false},"excerpt":{"rendered":"

ahvalnews6.com, 2018.06.15 Selim G\u00fcne\u015f\u2019in ikinci uzun metrajl\u0131 filmi D\u00fc\u015f K\u0131rg\u0131nlar\u0131, 80\u2019li y\u0131llar\u0131n duygusunu ta\u015f\u0131yan, romantik bir Mehmet Ero\u011flu uyarlamas\u0131. \u2018Yenik\u2019 oldu\u011funu d\u00fc\u015f\u00fcn\u00fcp bir t\u00fcr inzivaya \u00e7ekilmi\u015f, intihar etmemi\u015f olsa da hayattan b\u00fct\u00fcn beklentilerinden vazge\u00e7mi\u015f bir adamla onun tam tersi, Asya\u2019y\u0131, Afrika\u2019y\u0131 g\u00f6rmek isteyen, hayat dolu bir kad\u0131n\u0131n a\u015fk\u0131n\u0131 ve y\u00fcr\u00fcmeyen ili\u015fkilerini anlat\u0131yor. Foto\u011fraf sanat\u00e7\u0131s\u0131 olarak […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[28],"tags":[],"_links":{"self":[{"href":"https:\/\/selimgunes.com\/wp-json\/wp\/v2\/posts\/1872"}],"collection":[{"href":"https:\/\/selimgunes.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/selimgunes.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/selimgunes.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/selimgunes.com\/wp-json\/wp\/v2\/comments?post=1872"}],"version-history":[{"count":3,"href":"https:\/\/selimgunes.com\/wp-json\/wp\/v2\/posts\/1872\/revisions"}],"predecessor-version":[{"id":3191,"href":"https:\/\/selimgunes.com\/wp-json\/wp\/v2\/posts\/1872\/revisions\/3191"}],"wp:attachment":[{"href":"https:\/\/selimgunes.com\/wp-json\/wp\/v2\/media?parent=1872"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/selimgunes.com\/wp-json\/wp\/v2\/categories?post=1872"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/selimgunes.com\/wp-json\/wp\/v2\/tags?post=1872"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}