{"id":20,"date":"1998-11-18T19:00:31","date_gmt":"1998-11-18T17:00:31","guid":{"rendered":"http:\/\/selimgunes.com\/?p=20"},"modified":"2023-05-26T14:38:58","modified_gmt":"2023-05-26T11:38:58","slug":"istanbul-istanbul-1996-1998-2","status":"publish","type":"post","link":"https:\/\/selimgunes.com\/istanbul-istanbul-1996-1998-2\/","title":{"rendered":"istanbul istanbul"},"content":{"rendered":"\n
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Istanbul Istanbul (14th Istanbul Photography Days, Taksim Art Gallery, 1998.11.18)
<\/span><\/strong>Istanbul has always been the intersection point of different cultures, civilizations and continents. Over the centuries, it has been a great inspiration for those who have slanted to it; with its unique geography and splendid history. In the short history of the photographic art; the images that has taken for Istanbul reflect the most basic characteristic of theirselves: Their times\u2026<\/span><\/p>\n

We have also believed that it is an important task to photograph today\u2019s Istanbul. Works that we accomplished between the time period of 1996-1998; we used black\/white and colored photographic elements together. We worked with this style thus, it could be a link to this multi-culturel and colorful structure of Istanbul.<\/span><\/p>\n

The reality of Istanbul with photograph could be done in different languages. You could either have delineated it by purifying the colors in it or you could have used the color element as a priority and made color harmonies with it. We used both approaches and with this synthesis, we deeply wanted to share, listen, describe the Istanbul by the meaning of photography.\u00a0With this approach, from black\/white, purple\/red to the each tones of grey; our purpose was to be able to photographed the \u201cIstanbul of the colors.\u201d
<\/span><\/span>Yusuf Dar\u0131yerli \u2013 Selim G\u00fcne\u015f<\/span>
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\u0130stanbul \u0130stanbul (14. \u0130stanbul Foto\u011fraf G\u00fcnleri, Taksim Sanat Galerisi, 1998.11.18)<\/span>
<\/strong><\/span>K\u0131talar\u0131n, uygarl\u0131klar\u0131n, farkl\u0131 k\u00fclt\u00fcrlerin kesi\u015fme noktas\u0131 \u0130stanbul; e\u015fsiz co\u011frafi yap\u0131s\u0131yla, g\u00f6rkemli tarihiyle y\u00fczy\u0131llard\u0131r ona y\u00f6nelmi\u015f olan insanlara esin kayna\u011f\u0131 olagelmi\u015ftir. Foto\u011fraf sanat\u0131n\u0131n k\u0131sa tarih\u00e7esi i\u00e7inde, \u0130stanbul \u00fczerine yap\u0131lm\u0131\u015f olan foto\u011fraflar, en temel karakteristi\u011fi olarak kendi zamanlar\u0131n\u0131 yans\u0131tmaktad\u0131r.<\/p>\n

Biz de g\u00fcn\u00fcm\u00fcz \u0130stanbul\u2019unu konu edinmenin \u00fczerimize d\u00fc\u015fen bir vazife oldu\u011funa inand\u0131k. 1996-1998 y\u0131llar\u0131 aras\u0131nda y\u00fcr\u00fctt\u00fc\u011f\u00fcm\u00fcz \u00e7al\u0131\u015fmada \u0130stanbul\u2019a; onun \u00e7ok k\u00fclt\u00fcrl\u00fc \u00e7ok renkli yap\u0131s\u0131na bir t\u00fcr paralellik olsun diye siyah\/beyaz ve renkli foto\u011fraf malzemelerini bir arada kullanarak yakla\u015ft\u0131k.<\/p>\n

Foto\u011frafla bir \u0130stanbul ger\u00e7e\u011fi aray\u0131\u015f\u0131 t\u00fcrl\u00fc \u00fcsluplarla olabilece\u011fi gibi, onu renklerden ar\u0131nm\u0131\u015f bir bi\u00e7imde betimleyerek veya bi\u00e7imlerin renk \u00f6\u011fesini birincil olarak kullanarak, renk armonileri yaratmak \u015feklinde yap\u0131labilirdi. Biz her iki yakla\u015f\u0131m\u0131 da kulland\u0131k ve ula\u015fmak istedi\u011fimiz sentez ile ya\u015fad\u0131\u011f\u0131m\u0131z \u0130stanbul\u2019u foto\u011fraf anlam\u0131nda daha \u00e7ok betimleyelim, daha \u00e7ok duyal\u0131m ve payla\u015fal\u0131m istedik. A\u00e7\u0131klad\u0131\u011f\u0131m\u0131z bu yakla\u015f\u0131ma uygun olarak, siyahtan beyaza t\u00fcm gri tonlar\u0131n\u0131n ve mordan k\u0131rm\u0131z\u0131ya t\u00fcm renklerin \u0130stanbul\u2019unu foto\u011fraflamaya \u00e7al\u0131\u015ft\u0131k.
Yusuf Dar\u0131yerli \u2013 Selim G\u00fcne\u015f<\/p>\n