{"id":2454,"date":"2018-01-01T18:28:29","date_gmt":"2018-01-01T15:28:29","guid":{"rendered":"https:\/\/selimgunes.com\/?p=2454"},"modified":"2023-05-21T17:57:54","modified_gmt":"2023-05-21T14:57:54","slug":"kar-beyaz-sabahattin-ali-eserlerinin-sinema-uyarlamalari","status":"publish","type":"post","link":"https:\/\/selimgunes.com\/kar-beyaz-sabahattin-ali-eserlerinin-sinema-uyarlamalari\/","title":{"rendered":"Kar Beyaz &#8211; Sabahattin Ali Eserlerinin Sinema Uyarlamalar\u0131 \/ Hatice Bildirici"},"content":{"rendered":"<p style=\"text-align: right;\"><strong data-rich-text-format-boundary=\"true\">Hece Ayl\u0131k Edebiyat Dergisi, Say\u0131 253, Ocak 2018<\/strong><\/p>\n<p>Sabahattin Ali\u2019nin \u201cAyran\u201d isimli \u00f6yk\u00fcs\u00fc foto\u011fraf\u00e7\u0131 Selim G\u00fcne\u015f taraf\u0131ndan 2010 y\u0131l\u0131nda Kar Beyaz ismiyle sinemaya uyarlan\u0131r. Y\u00f6netmenin tek filmi olan Kar Beyaz\u2019\u0131n Sabahattin Ali uyarlamalar\u0131 i\u00e7inde \u00f6zellikli bir yeri oldu\u011funu s\u00f6yleyebiliriz.<\/p>\n<p>Sabahattin Ali\u2019nin \u201cAyran\u201d isimli \u00f6yk\u00fcs\u00fc foto\u011fraf\u00e7\u0131 Selim G\u00fcne\u015f taraf\u0131ndan 2010 y\u0131l\u0131nda Kar Beyaz ismiyle sinemaya uyarlan\u0131r. Y\u00f6netmenin tek filmi olan Kar Beyaz\u2019\u0131n Sabahattin Ali uyarlamalar\u0131 i\u00e7inde \u00f6zellikli bir yeri oldu\u011funu s\u00f6yleyebiliriz.<\/p>\n<p>Filmde 12 ya\u015f\u0131ndaki Hasan\u2019\u0131n babas\u0131 Demirci Halil 80 \u0130htilali s\u0131ras\u0131nda hapse girer. Ailenin ge\u00e7imini sa\u011flamak i\u00e7in annesi kasabada bak\u0131c\u0131l\u0131k yapmaya ba\u015flar. Hasan da iki k\u00fc\u00e7\u00fck karde\u015fine bakmak zorunda kal\u0131r. Haz\u0131rlad\u0131\u011f\u0131 ayran\u0131 bir g\u00fc\u011f\u00fcme doldurup yoldan ge\u00e7en minib\u00fcslerin yolcular\u0131na satarak evin ge\u00e7imine destek olur. So\u011fuk bir k\u0131\u015f g\u00fcn\u00fcnde, yine ayran satmak i\u00e7in k\u00f6yden ayr\u0131larak iki saatlik y\u00fcr\u00fcme mesafesindeki minib\u00fcslerin durak yeri olan \u00e7ay oca\u011f\u0131na gelir. Ak\u015fama kadar so\u011fukta bekler. Ancak hi\u00e7 ayran satamaz. K\u00f6ye d\u00f6nmek \u00fczere yola \u00e7\u0131kt\u0131\u011f\u0131nda so\u011fuk onu esir alacakt\u0131r.<\/p>\n<p>\u00d6yk\u00fcde olaylar Hasan\u2019\u0131n bak\u0131\u015f a\u00e7\u0131s\u0131ndan anlat\u0131l\u0131r. Onun etraf\u0131nda geli\u015fen olaylar bir neden sonu\u00e7 ba\u011flam\u0131na oturtulmaz. Ancak Hasan\u2019\u0131n her yapt\u0131\u011f\u0131 ve ba\u015f\u0131na gelen her \u015fey esasl\u0131 bir nedene ba\u011flan\u0131r. Filmin aksine \u00f6yk\u00fcde Hasan\u2019\u0131n, babas\u0131 ya da akrabalar\u0131 hakk\u0131nda hi\u00e7bir bilgisi yoktur. Ayr\u0131ca filmden farkl\u0131 olarak Hasan, ayran\u0131 bir tren istasyonunda satmaya \u00e7al\u0131\u015f\u0131r. \u00d6yk\u00fc de film de tek bir g\u00fcn\u00fc anlat\u0131r. O g\u00fcn Hasan\u2019\u0131n k\u0131sac\u0131k \u00f6mr\u00fcn\u00fcn son g\u00fcn\u00fcd\u00fcr.<\/p>\n<p>\u00c7aresizlikler manzumesi olarak da izlenebilecek Kar Beyaz, \u015fiirsel sinema olarak de\u011ferlendirilebilir. A\u011f\u0131r a\u011f\u0131r akan bulutlar ve kar\u0131n topra\u011f\u0131n \u00fcst\u00fcnde bir \u015feyleri gizler gibi yat\u0131\u015f\u0131, beklenen bir \u015feylerin oldu\u011fu hissini verir. Ah\u015fap evlerin g\u0131c\u0131rdayan kap\u0131lar\u0131, uzaklar\u0131 seyrederek uzun uzun sigara i\u00e7me sahneleri, sessizce kar\u0131n ya\u011f\u0131\u015f\u0131, az konu\u015fan \u00e7ok d\u00fc\u015f\u00fcnen insanlar; kasaba s\u0131k\u0131nt\u0131s\u0131n\u0131n birbirini tekrarlayan uzamaz k\u0131salmaz g\u00fcnlerini anlat\u0131r. Bunlar bir \u015fiirin m\u0131sralar\u0131 gibi s\u0131ralan\u0131r. Nitekim film \u015fu \u015fiirin ekrana yans\u0131mas\u0131yla son bulur:<\/p>\n<p><em>Karanl\u0131ktan korkuyorsun<\/em><br \/>\n<em>Anl\u0131yorum bebe\u011fim<\/em><br \/>\n<em>Ama sana ayd\u0131nl\u0131k bir r\u00fcya s\u00f6z veriyorum<\/em><br \/>\n<em>Yum g\u00f6zlerini ve ve kendini \u0131\u015f\u0131kl\u0131 r\u00fcyalara b\u0131rak<\/em><br \/>\n<em>Ku\u015flar sana ninni s\u00f6yleyecek<\/em><br \/>\n<em>Uyu bebe\u011fim, uyu bebe\u011fim<\/em><br \/>\n<em>Korkma annen seni bekleyecek<\/em><\/p>\n<p>Az diyalogla kurulan filmde g\u00f6r\u00fcnt\u00fclere \u00e7ok anlam y\u00fcklenir. \u201cSar\u0131 balon\u201d, birden ortaya \u00e7\u0131kan \u201cyaral\u0131 k\u0131r at\u201d gibi metaforlarla konuya derinlik kazand\u0131r\u0131l\u0131r. Sabahattin Ali\u2019nin geni\u015f tasvirlerle s\u00fcsledi\u011fi \u00f6yk\u00fcs\u00fc filmde resme b\u00fcr\u00fcnm\u00fc\u015f gibidir. Artvin\u2019in \u015eav\u015fat il\u00e7esinin da\u011fl\u0131k bir k\u00f6y\u00fcnde \u00e7ekilen filmde b\u00f6lgenin a\u011f\u0131r tabiat \u015fartlar\u0131 \u015fiirsel bir bi\u00e7imde ekrana yans\u0131t\u0131l\u0131r. Bu a\u011f\u0131r \u015fartlarla Hasan\u2019\u0131n hayat m\u00fccadelesi aras\u0131nda bir paralellik hissetmemek m\u00fcmk\u00fcn de\u011fildir.<\/p>\n<p>Filmde olay\u0131n b\u00fct\u00fcn ayr\u0131nt\u0131lar\u0131 anlat\u0131lmaz, Hasan\u2019\u0131n ac\u0131kl\u0131 hik\u00e2yesi aktar\u0131l\u0131rken bo\u015fluklar\u0131 seyircinin doldurmas\u0131 istenir. Zamanda atlamalar ve geri d\u00f6n\u00fc\u015fler bulunur. Bir bilmece \u00e7\u00f6zer gibi yava\u015f yava\u015f anlar\u0131z ili\u015fkileri. Bir\u00e7ok y\u00f6nden oldu\u011fu gibi bu y\u00f6n\u00fcyle de filmde Amerikal\u0131 y\u00f6netmen Terrence Malick etkisi g\u00f6r\u00fcl\u00fcr. Selim G\u00fcne\u015f de verdi\u011fi r\u00f6portajlarda bu y\u00f6netmenin en be\u011fendikleri aras\u0131nda oldu\u011fundan bahseder.<\/p>\n<p>Film m\u00fczi\u011fi 47. Antalya Alt\u0131n Portakal Film Festivali\u2019nde En \u0130yi Film M\u00fczi\u011fi \u00d6d\u00fcl\u00fc\u2019n\u00fc al\u0131r. Nitekim filmde m\u00fczik, nadiren devreye girmesine ra\u011fmen tabiat\u0131n ve Hasan\u2019\u0131n \u00e7etin \u015fartlar\u0131n\u0131 ifade edecek bir a\u011f\u0131rl\u0131k i\u00e7erir.<\/p>\n<p>Sabahattin Ali\u2019nin Anadolu insan\u0131n\u0131n anlatma becerisine bu filmde yakla\u015f\u0131ld\u0131\u011f\u0131n\u0131 s\u00f6ylersek abartm\u0131\u015f olmay\u0131z.<\/p>\n<p>Sabahattin Ali uyarlamalar\u0131n\u0131 pe\u015f pe\u015fe izledi\u011fimizde T\u00fcrk sinemas\u0131n\u0131n yolculu\u011funu hatta yolda ba\u015f\u0131na neler geldi\u011fini de g\u00f6rm\u00fc\u015f oluruz. 1967\u2019den 2010\u2019a kadar \u00e7ekilmi\u015f olan bir roman ve sekiz \u00f6yk\u00fcden yap\u0131lan bu uyarlamalar\u0131n bir geli\u015fme g\u00f6sterdi\u011fini, her ge\u00e7en g\u00fcn hak etti\u011fi ilgiyi bulmaya yakla\u015fan bu eserlerin niteli\u011finde bir y\u00fckselme oldu\u011funu g\u00f6r\u00fcyoruz. 1967\u2019de \u00e7ekilen Sabahattin Ali\u2019nin \u00fc\u00e7 \u00f6yk\u00fcs\u00fcnden yap\u0131lan Azap Yollar\u0131 uyarlamas\u0131 ile 2010\u2019da \u00e7ekilen Kar Beyaz k\u0131yasland\u0131\u011f\u0131nda sinemam\u0131z\u0131n ald\u0131\u011f\u0131 yol kadar Sabahattin Ali\u2019nin anla\u015f\u0131lmas\u0131nda da \u00f6nemli bir mesafe kat edildi\u011fi g\u00f6r\u00fclecektir.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hece Ayl\u0131k Edebiyat Dergisi, Say\u0131 253, Ocak 2018 Sabahattin Ali\u2019nin \u201cAyran\u201d isimli \u00f6yk\u00fcs\u00fc foto\u011fraf\u00e7\u0131 Selim G\u00fcne\u015f taraf\u0131ndan 2010 y\u0131l\u0131nda Kar Beyaz ismiyle sinemaya uyarlan\u0131r. Y\u00f6netmenin tek filmi olan Kar Beyaz\u2019\u0131n Sabahattin Ali uyarlamalar\u0131 i\u00e7inde \u00f6zellikli bir yeri oldu\u011funu s\u00f6yleyebiliriz. Sabahattin Ali\u2019nin \u201cAyran\u201d isimli \u00f6yk\u00fcs\u00fc foto\u011fraf\u00e7\u0131 Selim G\u00fcne\u015f taraf\u0131ndan 2010 y\u0131l\u0131nda Kar Beyaz ismiyle sinemaya uyarlan\u0131r. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[14],"tags":[],"_links":{"self":[{"href":"https:\/\/selimgunes.com\/wp-json\/wp\/v2\/posts\/2454"}],"collection":[{"href":"https:\/\/selimgunes.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/selimgunes.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/selimgunes.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/selimgunes.com\/wp-json\/wp\/v2\/comments?post=2454"}],"version-history":[{"count":1,"href":"https:\/\/selimgunes.com\/wp-json\/wp\/v2\/posts\/2454\/revisions"}],"predecessor-version":[{"id":2899,"href":"https:\/\/selimgunes.com\/wp-json\/wp\/v2\/posts\/2454\/revisions\/2899"}],"wp:attachment":[{"href":"https:\/\/selimgunes.com\/wp-json\/wp\/v2\/media?parent=2454"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/selimgunes.com\/wp-json\/wp\/v2\/categories?post=2454"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/selimgunes.com\/wp-json\/wp\/v2\/tags?post=2454"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}