{"id":971,"date":"2015-12-04T13:23:44","date_gmt":"2015-12-04T11:23:44","guid":{"rendered":"http:\/\/selimgunes.com\/?p=971"},"modified":"2023-05-22T12:39:30","modified_gmt":"2023-05-22T09:39:30","slug":"kar-beyaz-2010-ulku-tatar-4-aralik-2015-maksat-sinema","status":"publish","type":"post","link":"https:\/\/selimgunes.com\/kar-beyaz-2010-ulku-tatar-4-aralik-2015-maksat-sinema\/","title":{"rendered":"Kar Beyaz \/ \u00dclk\u00fc Tatar"},"content":{"rendered":"

maksatsinema.com, 2015.12.04<\/span><\/span><\/strong><\/p>\n

Bir \u00f6yk\u00fc veya roman okudu\u011fumuzda, orada yaz\u0131lanlarla ilgili belle\u011fimizde olu\u015fan g\u00f6r\u00fcnt\u00fcler tamamen bize \u00f6zg\u00fc olur. Hayal d\u00fcnyam\u0131zda olu\u015fturdu\u011fumuz karakterler ve sahneler konusunda kendimize hi\u00e7bir s\u0131n\u0131rlama getirmeyiz. Edebi bir eserin sinema uyarlamas\u0131n\u0131 izledi\u011fimizde hayal k\u0131r\u0131kl\u0131\u011f\u0131na u\u011framam\u0131z\u0131n sebebi asl\u0131nda tam olarak budur.<\/p>\n

Edebi eser ile sineman\u0131n \u00fcslup farkl\u0131l\u0131klar\u0131ndan do\u011fan s\u0131k\u0131nt\u0131lar, film uyarlamas\u0131na baz\u0131 s\u0131n\u0131rlamalar getirilmesine, eklemeler ve \u00e7\u0131karmalar yap\u0131lmas\u0131na sebep olur. Bir de buna ek olarak, y\u00f6netmenin o edebi eseri perdeye uyarlarken kafas\u0131nda olu\u015fan g\u00f6r\u00fcnt\u00fcler, di\u011fer okuyuculardan \u00e7ok farkl\u0131 olaca\u011f\u0131 i\u00e7in bu konuda ortak bir be\u011feni kitlesi olu\u015fturmak neredeyse imk\u00e2ns\u0131zd\u0131r. Buna ra\u011fmen ba\u015far\u0131l\u0131 y\u00f6netmenlerin elinden \u00e7\u0131kan baz\u0131 kitap uyarlamalar\u0131, uyarland\u0131klar\u0131 kitaplardan bile daha \u00f6n planda olmay\u0131 ba\u015farm\u0131\u015flard\u0131r.<\/p>\n

Biraz da ki\u015fisel be\u011feniye giren bu durumun ba\u015fka bir y\u00f6n\u00fc de, \u00e7o\u011funlukla uyarlama filmin fazlas\u0131yla ra\u011fbet g\u00f6rmesinden sonra seyircilerin eserlere y\u00f6nelmi\u015f olmas\u0131d\u0131r. Ayr\u0131ca \u015funu da hat\u0131rlatmak gerekir ki, uyarlamalarda edebi esere farkl\u0131 yorumlar kat\u0131ld\u0131\u011f\u0131na da \u015fahit oldu\u011fumuz gibi tamamen sad\u0131k kal\u0131nd\u0131\u011f\u0131n\u0131 da g\u00f6r\u00fcr\u00fcz.<\/p>\n

\u0130\u015fte Selim G\u00fcne\u015f de, Sabahattin Ali\u2019nin \u201cAyran\u201d hik\u00e2yesinden yola \u00e7\u0131karak, senaryosunu yaz\u0131p y\u00f6netti\u011fi, 2010 yap\u0131m\u0131 \u201cKar Beyaz\u201d filminde hik\u00e2yeye sad\u0131k kalmay\u0131 tercih edenlerden. Hik\u00e2yede de\u011fi\u015fikli\u011fe gitmedi\u011fini s\u00f6ylesek bile baz\u0131 bo\u015fluklar\u0131 doldurmak i\u00e7in kendi kalemini konu\u015fturdu\u011fu da bir ger\u00e7ek. Filmden ve doldurulan bo\u015fluklardan \u00f6nce, yaz, k\u0131\u015f her g\u00fcn iki saat y\u00fcr\u00fcyerek ula\u015ft\u0131\u011f\u0131 istasyonda ayran satmak mecburiyetinde olan k\u00fc\u00e7\u00fck Hasan\u2019\u0131n hik\u00e2yesinden s\u00f6z etmekte fayda var.<\/p>\n

K\u00fc\u00e7\u00fck Hasan\u2019\u0131n Hik\u00e2yesi<\/span><\/strong><\/p>\n

Kar Beyaz, istasyona gitmek i\u00e7in y\u00fcr\u00fcyerek gitti\u011fi iki saatlik yolu yar\u0131lad\u0131\u011f\u0131n\u0131 g\u00f6rd\u00fc\u011f\u00fc s\u00f6\u011f\u00fct a\u011fac\u0131 ile anlayan, bakmak zorunda kald\u0131\u011f\u0131 iki karde\u015fi oldu\u011fu i\u00e7in ayran satmak zorunda kalan ve uzak bir yerde hizmet\u00e7ilik yapt\u0131\u011f\u0131 i\u00e7in haftada sadece bir kez g\u00f6rd\u00fc\u011f\u00fc annesi d\u0131\u015f\u0131nda, d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fc tek \u015feyin, bu gitti\u011fi iki saatlik yolun geri d\u00f6n\u00fc\u015f\u00fc olan k\u00fc\u00e7\u00fck Hasan\u2019\u0131n hik\u00e2yesidir.<\/p>\n

O g\u00fcn de her g\u00fcn oldu\u011fu gibi Hasan, \u00e7aresizli\u011fin, umursamazl\u0131\u011f\u0131n, karamsarl\u0131\u011f\u0131n \u00e7\u00f6kt\u00fc\u011f\u00fc o istasyona ayran satmaya gitmi\u015ftir. B\u00fct\u00fcn bu olumsuzluklara ve k\u00f6t\u00fcl\u00fcklere ra\u011fmen g\u00f6kten d\u00fc\u015fen o b\u00fcy\u00fcl\u00fc kar gibi elinde tuttu\u011fu g\u00fc\u011f\u00fcm\u00fcn i\u00e7indeki ayran da bembeyazd\u0131r. Yaz\u0131n bir \u015fekilde ayran\u0131n\u0131 satmay\u0131 ba\u015farsa da k\u0131\u015f\u0131n i\u015fler istedi\u011fi gibi gitmedi\u011fi i\u00e7in, o g\u00fcn ayran satamam\u0131\u015f ve bir sonraki treni beklemeye karar vermi\u015f olan Hasan, d\u00f6n\u00fc\u015f yolunda karanl\u0131\u011fa kal\u0131r. Ve belki Hasan bile, bu karanl\u0131k d\u00f6n\u00fc\u015fte, bu beyazl\u0131\u011f\u0131n, bu korkunun ve a\u00e7 kalm\u0131\u015f hayvanlar\u0131n seslerin aras\u0131nda yola devam etmektense, k\u00fc\u00e7\u00fck toprak evinin i\u00e7inde a\u00e7, susuz ama g\u00fcvende olman\u0131n iste\u011fini i\u00e7inde olaca\u011f\u0131n\u0131 tahmin etmemi\u015ftir.<\/p>\n

Kaybolan ve karanl\u0131ktan korkan Hasan\u2026 Yorgunluktan, a\u00e7l\u0131ktan, korkudan, ko\u015fmaktan dizleri \u00fczerine d\u00fc\u015f\u00fcp aya\u011fa kalkmaya \u00e7al\u0131\u015fan Hasan\u2026 Karanl\u0131kta kurtlar\u0131n seslerine hapsolmu\u015ftur. Ama nihayetinde o da bir \u00e7ocuktur. Ve b\u00fct\u00fcn bunlara kendine teslim ederken a\u011fz\u0131ndan \u00e7\u0131kan son s\u00f6zleri: \u201cAna! Anac\u0131\u011f\u0131m!\u201d olur.<\/p>\n

Filmin ba\u015flang\u0131c\u0131ndan son sahnesine kadar, bizi kar\u015f\u0131layan hep karl\u0131 ve sisli da\u011flard\u0131r. Ve tabi ki birde, karlar\u0131n i\u00e7inde, sislerin aras\u0131nda, i\u00e7i ayran dolu, a\u011f\u0131r g\u00fc\u011f\u00fcm\u00fcn\u00fc zar zor ta\u015f\u0131yan k\u00fc\u00e7\u00fck bir \u00e7ocuk. Filmdeki her sahne adeta bir foto\u011fraf karesidir. Tabi bunda Selim G\u00fcne\u015f\u2019in ayr\u0131ca bir foto\u011fraf\u00e7\u0131 olmas\u0131n\u0131n pay\u0131 olduk\u00e7a b\u00fcy\u00fckt\u00fcr. Y\u00f6netmen sanki her karenin hik\u00e2yesini anlatmak i\u00e7in oynat tu\u015funa basm\u0131\u015ft\u0131r.<\/p>\n

Hik\u00e2yeden Yans\u0131malar<\/span><\/strong><\/p>\n

Bir d\u00fc\u011f\u00fcnde g\u00fclen, e\u011flenen ve oynayan mutlu bir toplulukla ba\u015flar film. Hasan o s\u0131rada a\u011fa\u00e7ta elinde balonuyla dururken, biraz sonra jandarmalar\u0131n gelip babas\u0131n\u0131 g\u00f6t\u00fcreceklerinden habersizdir. Hik\u00e2yenin kendisinde olmayan bu sahneler Selim G\u00fcne\u015f\u2019in, hik\u00e2yede asl\u0131nda tam olarak bilemedi\u011fimiz Hasan\u2019\u0131n babas\u0131 i\u00e7in se\u00e7ti\u011fi sahnelerdir. Hasan\u2019\u0131n babas\u0131 siyasi mahk\u00fbmlar\u0131n aras\u0131nda yer ald\u0131\u011f\u0131 i\u00e7in tutuklanm\u0131\u015ft\u0131r. Bu y\u00fczden Hasan ge\u00e7im s\u0131k\u0131nt\u0131s\u0131na d\u00fc\u015fm\u00fc\u015f ve iki karde\u015finin sorumlulu\u011funu alm\u0131\u015ft\u0131r. Bu sorumluluk istasyonda ayran satarak kazand\u0131\u011f\u0131 parayla ak\u015fam karde\u015flerine ekmek almaktan \u00f6teye gidemez. Ama o zaten bu kara ekme\u011fi ald\u0131\u011f\u0131 zamanlar elinden geleni yapm\u0131\u015f oluyordur.<\/p>\n

Hasan ayran\u0131n\u0131 satmak i\u00e7in filmde yolculu\u011funu istasyona de\u011fil de yolcu otob\u00fcs\u00fcn\u00fcn dura\u011f\u0131na do\u011fru yaparken g\u00fc\u011f\u00fcm\u00fcyle bir sohbet i\u00e7erisinde olur. Onu arkada\u015f\u0131 bellemi\u015ftir \u00e7\u00fcnk\u00fc. Hik\u00e2yede olmayan bu arkada\u015fl\u0131k ho\u015f bir ayr\u0131nt\u0131d\u0131r. Hik\u00e2yede Hasan\u2019\u0131n ayran\u0131n\u0131 i\u00e7ip bozuk paras\u0131 olmad\u0131\u011f\u0131 i\u00e7in \u00fccretini \u00f6demeyen adam\u0131n, oraya tayini \u00e7\u0131kt\u0131\u011f\u0131 i\u00e7in zorla giden bir orman m\u00fchendisi olmas\u0131 gibi bo\u015fluklar\u0131 dolduran ayr\u0131nt\u0131lar da vard\u0131r filmde.<\/p>\n

Selim G\u00fcne\u015f hik\u00e2yede her okuyan\u0131n kafas\u0131nda soru i\u015fareti olan bir soruyu Hasan\u2019a sormay\u0131 da ihmal etmemi\u015ftir. \u201cNeden bu havada so\u011fuk ayran sat\u0131yorsun ki?\u201d Bunun cevab\u0131n\u0131 vermek hem kolay hem de zor oldu\u011fu i\u00e7in ve belki de hi\u00e7 bir zaman bir cevap bulamayaca\u011f\u0131m\u0131z i\u00e7in tebess\u00fcm ettiren bir kar\u015f\u0131l\u0131k gelir: \u201cS\u0131cak ayran yok ki\u201d<\/p>\n

Son S\u00f6z<\/span><\/strong><\/p>\n

Filmin biraz ilerlemesiyle Hasan\u2019\u0131n hik\u00e2yesini, orada ya\u015fayan ya\u015fl\u0131 bir amca, \u00e7ay i\u00e7ti\u011fi ki\u015fiye k\u0131saca anlat\u0131rken dinlemi\u015f oluruz. Anlatt\u0131\u011f\u0131 hik\u00e2yeye kar\u015f\u0131l\u0131k k\u00fc\u00e7\u00fck \u00e7ocu\u011fa ac\u0131yan s\u00f6zler duyunca da, \u201cHay\u0131r, umut her zaman var!\u201d diye bizi kendimize getirir amca. \u00c7\u00fcnk\u00fc biz de t\u00fcm bu duyduklar\u0131m\u0131za kar\u015f\u0131l\u0131k i\u00e7imizde Hasan\u2019a ac\u0131ma ve umutsuzluk hissederiz. Selim G\u00fcne\u015f, ne kadar h\u00fcz\u00fcnl\u00fc bir film \u00e7ekse de, i\u00e7inde hep umut olsun istemi\u015ftir. Bu y\u00fczden Hasan\u2019\u0131n babas\u0131n\u0131n kendisine hediye etti\u011fi \u00e7ak\u0131s\u0131yla, kurt seslerine kar\u015f\u0131 kendini korumaya \u00e7al\u0131\u015fmas\u0131n\u0131 ve karanl\u0131\u011f\u0131n i\u00e7inde kaybolurken, asl\u0131nda annesinin arkas\u0131ndan onu bulmak i\u00e7in geldi\u011fine inanmak istemi\u015f ve senaryoya bunlar\u0131 dahil etmi\u015ftir. Hasan\u2019\u0131n balonunun u\u00e7mas\u0131, kitab\u0131n\u0131n suya d\u00fc\u015fmesi ve s\u00fcr\u00fcklenmesi de senaryoya dahil olanlar aras\u0131ndad\u0131r. Hasan\u2019\u0131n elinden g\u00fczel ve umut dolu tuttu\u011fu her ne varsa kay\u0131p d\u00fc\u015fer. Evet, umut vard\u0131r. Fakat Hasan\u2019\u0131n elleri umudu tutacak kadar b\u00fcy\u00fck de\u011fildir.<\/p>\n

Evet, bu k\u00fc\u00e7\u00fck Hasan\u2019\u0131n hik\u00e2yesidir. Asl\u0131nda zaman\u0131n ve mek\u00e2n\u0131n de\u011fi\u015fti\u011fi ama Hasan ve Hasan gibilerin hi\u00e7 de\u011fi\u015fmeyen hik\u00e2yesidir. \u015eimdi d\u0131\u015far\u0131ya \u00e7\u0131kt\u0131\u011f\u0131n\u0131zda elinde ayran de\u011fil de mendil olan ve o mendili istasyonda de\u011fil de k\u0131rm\u0131z\u0131 \u0131\u015f\u0131klarda duran arabalara satmaya \u00e7al\u0131\u015f\u0131rken g\u00f6rd\u00fc\u011f\u00fcm\u00fcz \u00e7ocuklar\u0131n hik\u00e2yesidir. Ve bir g\u00fcn ak\u015fam karanl\u0131\u011f\u0131nda hangi kurda yem olacaklar\u0131n\u0131 bilmediklerimizin hik\u00e2yesidir\u2026<\/p>\n

Ve belki de onlara biraz dikkatlice bakt\u0131\u011f\u0131n\u0131zda sol elinin \u00e7atlaklarla \u00f6rt\u00fcl\u00fc \u00fcst taraf\u0131 ile burunlar\u0131n\u0131 sildiklerini de g\u00f6rebilirsiniz.<\/p>\n

Not: Bu yaz\u0131 ilk olarak Mavi Ye\u015fil Dergisi\u2019nin Kas\u0131m-Aral\u0131k 2015 say\u0131s\u0131nda yay\u0131mlanm\u0131\u015ft\u0131r.<\/p>\n

*** http:\/\/www.maksatsinema.com\/2015\/12\/kar-beyaz-2010.html<\/p>\n","protected":false},"excerpt":{"rendered":"

maksatsinema.com, 2015.12.04 Bir \u00f6yk\u00fc veya roman okudu\u011fumuzda, orada yaz\u0131lanlarla ilgili belle\u011fimizde olu\u015fan g\u00f6r\u00fcnt\u00fcler tamamen bize \u00f6zg\u00fc olur. Hayal d\u00fcnyam\u0131zda olu\u015fturdu\u011fumuz karakterler ve sahneler konusunda kendimize hi\u00e7bir s\u0131n\u0131rlama getirmeyiz. Edebi bir eserin sinema uyarlamas\u0131n\u0131 izledi\u011fimizde hayal k\u0131r\u0131kl\u0131\u011f\u0131na u\u011framam\u0131z\u0131n sebebi asl\u0131nda tam olarak budur. Edebi eser ile sineman\u0131n \u00fcslup farkl\u0131l\u0131klar\u0131ndan do\u011fan s\u0131k\u0131nt\u0131lar, film uyarlamas\u0131na baz\u0131 s\u0131n\u0131rlamalar getirilmesine, […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[14],"tags":[],"_links":{"self":[{"href":"https:\/\/selimgunes.com\/wp-json\/wp\/v2\/posts\/971"}],"collection":[{"href":"https:\/\/selimgunes.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/selimgunes.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/selimgunes.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/selimgunes.com\/wp-json\/wp\/v2\/comments?post=971"}],"version-history":[{"count":2,"href":"https:\/\/selimgunes.com\/wp-json\/wp\/v2\/posts\/971\/revisions"}],"predecessor-version":[{"id":3008,"href":"https:\/\/selimgunes.com\/wp-json\/wp\/v2\/posts\/971\/revisions\/3008"}],"wp:attachment":[{"href":"https:\/\/selimgunes.com\/wp-json\/wp\/v2\/media?parent=971"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/selimgunes.com\/wp-json\/wp\/v2\/categories?post=971"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/selimgunes.com\/wp-json\/wp\/v2\/tags?post=971"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}